Month: November 2018

1/2/3/4 — #77 — Anna Tivel, Onipa and Yowo Music

Portland artist Anna Tivel creates wide-eyed celestial folk with a confessional edge. She has a wonderful new single out ahead of her album next year and we’ll feature that on this edition of the podcast. As well, William Elliot Whitmore who can seamlessly meld country, blues, folk, and punk together, he does this with aplomb on his new collection of covers, Kilonova. Plus bouncy electronic Afrofuturistic pop from Onipa, the excellent new release from the Yowo Music collective – dedicated to nurturing/encouraging high school aged girls and GNC youth and much more.

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Quiet Space — #70 — The Licence To Interpret Dreams

‘The License to Interpret Dreams’, is an intensely focussed dreamworld produced by Antonymes aka Ian Hazeldine. his music emerges from the adjustments and erasures where music expresses nothing but itself, from the relationship between continuity and repetition rather than of contract and interplay. On top of that he is an absolute top bloke. Our feature album for this episode first became available in 2010; it didn’t really sound like it belonged in that year, at the time or now, too ancient seeming, too abstract, too intimate, too damned heart breaking! This edition features some stellar musicians reinterpreting Antonymes dreams. Essential.

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1/2/3/4 — #75 — From Ashfield to Nashville

Paul Andrews has been writing great songs for many years now, initially as a part of Lazy Susan and in more recent years with his solo project, Family Fold. Paul joins us to chat about working with Nashville producer/mult-instrumentalist Brad Jones on his recent ripper release, Ashfield Skyline and about his song writing technique. As well, sublime folk from UK ensemble The Willows, soulful pop from NYC’s 79.5, plus essential new releases from Gregory Alan Isakov, Grand Salvo and The Other Years.

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1/2/3/4 — #74 — Outer Songs

I’m currently obsessively listening to GADADU’s album Outer Song. With a kaleidoscopic sense of time and texture, GADADU weaves odd-meter grooves, synth-spiked orchestral arrangements, and unorthodox song forms into a dreamy, soulful sound. As a big fan of Melbourne’s Tulalah, I have found a kindred spirit with this release. Stunning. As well more soulful grooves from Chelsea Wilson, Cookin’ With Three Burners abd Part Time.

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